Look, you can chat on Snap, Facebook, Insta ‘n’ that
Me, I’ve got my preference set to human contact
Living life on Twitter or the likes of Whatsapp
You tend to get depressed seeing all the things yours may lack
Then again, maybe that’s not necessarily true
For what if you hold a different point of view
Just another junkie before they hit the floor
You feel so much better than you ever did before
Next, you find you are counting foes amongst your friends
Food for thoughts and these ads that never seem to end
Morning through til night; they control that train of thought
We no longer give life meaning; turned into mindless robots
Young and curious, I opened all these doors
Old and useless, left only wanting more
(Rhyme scheme – AAAABBCCDDEECC)
All your secrets
That’s all that is needed
To break our hearts into pieces
Max Beckmann (1884-1950).
I really like this painting from seedsinmotiontruthnart blog. It’s so vibrant and alive.
Climb the mountain top
then tell me how you feel, wait —
I cannot hear you
This is so cool, I want this on my wall!
217_2016 Watercolor / Fabriano artistico satinized – ca. 76 x 56 cm / 29.9 x 22.0 in / ´The Burning House II´
I had to paint this again. After I have been really satisfied with my small watercolor-sketch I wanted to try a large format today. I stood up extra early today to make sure that I can finish it before I have to go to my work. I am getting used to the beautiful Fabriano Artistico paper and I used a bigger brush. Compared to painting smaller formats these large paintings are more physical in the painting-process. I feel like I have been in the gym after painting this one. I don´t think the result is perfect, but I am satisfied. I will try to paint more of the larger formats this month to get my brushwork loose. I have a bigger amount of sheets in stock now so…
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I love these paintings fom yubagold blog, especially the third.
painting #1 on Arches 140# 7 x 9 inches
This scene was a difficult one because of the steep trail leading down to the river and the fact that I didn’t have sun on the river for the first 90 minutes, I painted basically in the shade.
what my first scene looked like with sun
painting #2 on Fabriano 300# 11 x 14 inches
I struggled with this painting because of having such a complex scene with no focal point (hoping for a light source) I was all over the place and couldn’t focus. In other words, I didn’t have a clear path to follow.
my scene was beautiful but without sun, it was a bit dreary
painting #3 on Saunders 200# 11 x 14 inches
I then spotted the sun shining further on down the river, all I had to do was scoot my butt a 3/4 turn and…
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